A VISUAL SYNOPSIS OF ANTONIA J ELLIS
anto_jane@hotmail.com

Wednesday, February 24, 2010

ROMANTIC

Coleridge:

What if you slept? And what if, in your sleep, you dreamed?
And what if, in your dream, you went to heaven and there
plucked a strange and beautiful flower? And what if, when
you awoke, you had the flower in your hand? Ah, what then?




Everytime i read that, it makes my heart beat a little faster.
utter wonderment it is.

ARE YOU A FEMALE YOUNG MESSIAH?

argh.
i want this glass/lens/kaleidoscope/thing!
like a one-trick pony i went a bit nuts with it this afternoon at august's studio. we also went to one of those vegan-friendly-homely-like cafes in tufnell park that smelt like daylesford.
im still in london and i am missing it already.
im going back to melbourne, finishing my stupid course and then im moving away from it. i hate the dickheads. i hate the culture. i hate the weather. i hate the art.
the only i love are my friends. my family. and the coffee. (coffee in britain is awful).
by the time im twenty-one i will hopefully be back here on the other side of the world.
the rest.
no.
see you laters.
AND SEE YOU SOON YALEI, SARAH, MARLE, YALEI, YALEI :), VCA (sigh), AND BLOG READERS WHOM I DONT REALLY KNOW: i suppose i wont be seeing you but i love you all anyway.





sorry for the ecstatic ramblings.



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Monday, February 22, 2010

RIVE GAUCHE.

i love paris. but it never welcomed me.
im back in london now, and it feels like home. it feels more like home than melbourne. i am looking forward to coming home though, i start second year fine arts in a week. shocking considering i have barely done any drawing this holiday break. but i have been doing a lot of thinking. my mind has been far more active in the past few months than i have ever remembered. i also have a fair idea of what i want to do this year in my course. having experienced first hand some of the greats in the world of fine arts, i just don't see how the course at vca can help me achieve goals anywhere near to that standard. so i think i will go back to the basics this year. i am going to look at hands, at feet, at forms, at life, at death. i want to know. i want to know everything.
paris is. is everything.
one day when i was by myself i spent half of the day around st-germain-des-pres and the latin quarter looking for the Shakespeare and company bookshop. a legend. i did find it eventually, it was amazing. on the bottom level is a range of french and english novels, philosophical thought, art, and literary crit. upstairs is where the magic happens; with a staircase practically made of books, and all the second hand books upstairs. within the nooks of the bookshelves are also these tiny beds where the young writers sit around and live in the bookshop. someone's practising on the piano in the corner for wednesday night's book reading and performance. another person is on the laptop. another is sitting on her bed in the childrens section writing in a notebook.
it was just so wonderful.
that morning i also ate at le deux magots. i remember reading about this famous cafe a while ago. it used to cater and house all the great thinkers; sartre, beauvoir, hemingway. it made my brain and senses tingle. also the greatest chocolat chaude. or viennois they seem to call it.
the left bank is where it's at for me.
rive gauche is all about the commercial galleries, art schools, universities, bookshops, young designers, restaurants.
musee de cluny
holocaust memorial
mariage freres
pompidou centre.
that is also what i explored that day.
another day:
notre dame
entire rue st. honore
arc de triomphe
marais
lafayette

louvre
louvre
louvre
louvre
there are no limits. no boundaries to how incredible to that museum is. it's not just about the art. it's the rooms aswell. rooms the size of medium commercial buildings. tall. wide. extreme.
strolling around the salons, you see velazquez, david, ingres, delacroix, caravaggio, brueghel, vermeer. just put up on the walls. all together. the only work that seems to get an entire wall to itself is the mona lisa. a given i guess.
i went to the louvre twice. on the first day i arrived and on friday night. and i still feel like i have only scratched the surface on the collection. my favourite painting was the nude by ingres.


coming back to melbourne, i have a feeling that i will be going through a 'bonjour tristesse' moment.



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Thursday, February 18, 2010

PARIS.

i promise i won't post more touristy/arty/shitty/blase photos!
but just these ones.
bisous.

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love the hectic CELEBRITY nature of seeing the mona lisa.
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love this one. and notice how very few people are actually looking at the work. rather, they are taking photos. if you're going to view it through a camera, buy a postcard. its a completely different experience to turn the camera off.
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and this one.
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MUSEUM. BATH.

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Friday, February 12, 2010

AUGUST.

JEEEZ. MOST OF MY PHOTOS ARE ON MY PENTAX ASAHI. AND I DONT HAVE ALL THE TIME IN THE WORLD TO POST ALL THE TIME. yeah. SO THESE PHOTOS AREN'T THE BEST I KNOW. AND MOST OF THE TIME I HAVE BEEN EXPLORING BY MYSELF, AS I ENJOY TO EXPERIENCE IT ALONE... SO I CANT REALLY TAKE A PHOTO OF MINI ANTONIA IN FRONT OF BIG BEN BY MYSELF.
love you guys. sorry for the caps. i have to go and have brunch with august now. bisous.

surprise. not in any of these photos. but here are the photos of august's works, for august.



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